artists register

Mary Hayes

Mary Hayes

Mary Hayes

Paint, Drawing

London
United Kingdom

Websites


Galleries

  • GW. Besoke Framers, London
  • Masbro Arts Centre, London
Peacock Alighting on

Peacock Alighting on

Study of a Peacock inspired by the naturalist and artist Thorburn

Original
Acrylic and charcoal on canvas

Statement

Through oils, pen and ink, water colour and mixed media my work leans toward the decorative, exploring cultural diveristy, and nature subjects, with a special emphasis of colour, defined line, and pattern.

 

Biography

2000-2002Archivist and researcher at the RSBS (Royal Society of British Sculptors)
1999-2000Course Title: Starting Off With Life Drawing & Painting - tutor, the artist Brian Sayers.
1998 - 1999City University, Arts Policy Department. Master of Arts Degree. Managing the Visual Arts with emphasis on Curatorship and Commissions; Museum and Gallery Frame Work; Museum and Gallery Management and Policy Making in the Arts.
1999-2000Richmond College Tertiary College, Richmond London Further and Adult Education Teachers Certificate: Subject Matter: The Renaissance Apprentice Draughtsman. understanding how a work is created through technique and material by reconstruction of that process through the production in these media.
1992-1995Camberwell College of Arts, School of Art History and Conservation. BA (hons) History of Drawing and Print Making. A study of Art technological research in understanding how a work is created through technique and material by reconstruction of that process through the production in these media (with particular reference to Western European Traditions), in which both art historical methods of enquiry, and specialist knowledge of scientific methods for investigating the material make-up of works of art were jointly analysed. Analysis of both theory and practice of all aspects of drawing and its development, through analysis of the process and production in these media in which both art historical methods of enquiry, and specialist knowledge of scientific methods for investigating the natural-make up of works of art (including the conservation practices of) were defined through investigation of the history of art dating from c1400 to the present day.