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Continuing his journey from night to day, Craig Andrews plots the spaces which can co-exist between the here of space and the now of time.
In a wall of photographs taken of a dilapidated and about-to-be-demolished Liverpool department store (snatched as the light faded on the last day of trading) and in a bank of monitors showing footage filmed laboriously (and again secretly) over three long Winter/Spring months on the similarly derelict site of the 1984 'International Garden Festival' (currently being made ready for a possible re-opening), Andrews brings our peripheral vision into the foreground.